What! Gay dads are pregnant with their first biological child? (See photos)

Two gay dads, who already have two adopted kids, are about to welcome their first biological child.  Biff Chaplow and Trystan Reese have expressed delight at experiencing what it’s like to create a child and watch it develop in the womb before welcoming it into the world. They did not have that with their first two so they are happy to experience this “normal” birth process, according to them.

 

The couple, who live in Portland, Oregon, adopted Biff’s niece and nephew, Hailey and Riley, after Biff’s sister suffered substance abuse problems in 2011. Though they loved being parents to the 6 and 9-year-olds, they always longed to have a baby of their own, so Trystan, who is transgender,

Ladies, Have To Respect Their Husband To Avoid Domestic Violence – Yul Edochie Advises

Actor Yul Edochie Speaks on the issue of Domestic Violence
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hildaidokoHahahahah @yuledochie …true talk though..coming from Ebubedike’s son…
iamwendycharles That voice

mhiz_makz Men like that should go to hell and occupy several seats@amistarboy….you can’t even respect the little dignity u have on social media and you want your wife at home to respect you…If you like kill your wife, that’s your problem….I only pity ladies that fall into the hands of disdainful wife beaters like you all in the name of respect…look at him calling a lady stupid just bcos of a comment!

tracynaku_@amistarboy uncle, why all the names?? Can’t you disagree with me without insulting me??? I can clearly tell you beat your gf or wife! Please go make music and make money, so you can feed your family, Don’t give yourself High bp because of my comment, you hear!

'Wonder Woman' Is A (Long Overdue) Gamble, And Well Worth The Risk

The Hollywood Reporter took some heat yesterday for a Tweet related to Tatiana Siegel's otherwise solid cover story about Patty Jenkins's Wonder Woman.
 The social media note in question (which referenced the first sentences of the long article) stated that "Warner Bros. is gambling $150M with a filmmaker whose only prior big-screen credit was an $8M indie." 

This led to much outcry for the obvious reason that a bazillion male (usually white male) directors with similar or less experience have been given keys to big franchises. Yet the issue is that Wonder Woman is the kind of gamble or risk normally accorded to young white male filmmakers